66th Locarno Film Festival: Recapitulation

Though I didn’t get to update you as much as I would have liked to, covering this year’s Locarno Film Festival mainly for another blog, I still would like to discuss it here briefly. The Locarno Film Festival strives to be among the top ten festivals worldwide, but obviously they’re deluding themselves if they think they’re that important. Aside from a couple big names the event didn’t attract many big films or industry people, and they’re still trying to get over the fact that the Zürich Film Festival, which is almost sixty years younger, has more money and clout than they could dream of.

The change in artistic director (the guy that selects the films) has meant a dramatic shift in the quality of the films. Most of the press and public reactions I’ve heard seemed to echo this. For foreign press Locarno is just “something” between Cannes and Venice. The program this year was fairly underwhelming, but there were a couple good films. The best thing was that they managed to get Werner Herzog for a masterclass and to present dozens of his films. There were even unaired On Death Row episodes, which were beyond words. They touched me deeply and were some of the most powerful images (shot for television) I have ever seen.

Aside from Herzog, there was a George Cukor retrospective, but I didn’t catch any of those. Other guests of honor were Sir Christopher Lee, Faye Dunaway and Douglas Trumbull. I was also pleased to meet and shake hands with Baltasar Kormákur (director of 2 Guns), Hélène Cattet & Bruno Forzani (directors of The Strange Color of Your Body’s Tears), James Fotopoulos (director of Dignity) and Matthew Johnson & Owen Williams (of The Dirties). Now that I mention all these nice people, the festival wasn’t so bad after all, because I enjoyed hearing these people talk after having seen their films. It’s like having live special features.

01-l-experience-blocher

Here’s a list of everything I got to watch with short thoughts on the films I haven’t reviewed yet.

2 Guns (2013) – 6 (IMDb 7) – Action, Crime, Comedy (USA)
The first film I watched was 2 Guns and not being a big action fan I wasn’t expecting much. Like the director said this was a throwback to 80s genre fare and it shows. The plot is a bit too convoluted and complicated for me to be able to enjoy it, but there were some good laughs here and there and I’m sure action fans will get something out of this one. Like I said it’s not for me. The director is clearly very passionate about film and brining the industry to his country (Iceland) so it was great to hear him talk at the press conference.

Vijay And I (2013) – 6.5 (IMDb 6.3) – Comedy, Romance (Belgium)

La Variabile Umana (2013) – 5 (IMDb 4.6) – Crime, Drama (Italy)
I love Italian cinema, but this was like a bad crime TV show. I couldn’t relate to this old and annoying cop and his troubles with his cute, but mischievous daughter. The cinematography and score were great, but if they were used for another film, here they didn’t fit at all. We’ve seen this story a thousand times before and done a lot better so there was no need for this film to exist really. The only thing I liked was the use of different film stocks and some of the atmosphere, but other than that it was fairly underwhelming.

Wrong Cops (2013) – 3 (IMDb 7.2) – Comedy, Crime (USA)
Not my sense of humor. At all. I thought this film was just trying to offend and be edgy or shocking or whatever, but for me it was just dumb (for lack of better term). It was entertaining yes, but does that make it a good movie? The structure is terrible, the ending, well I wonder if it should be considered an ending, and the characters are so annoying. This was probably the worst film I’ve seen at the festival. I don’t want to discuss it any further.

The Dirties (2013) – 7.5 (IMDb 7.9) – Comedy, Drama (Canada)

We’re The Millers (2013) – 5 (IMDb 7.2) – Crime, Comedy (USA)
Stupid comedy. Yes, it’s kind of funny, but it’s just one vulgar joke after the other. The story is a crossover between RV and The Joneses, with a dash of Weeds. The characters are just caricatures. It gets tiring after a while to watch. I feel like this film was written for a twelve-year-old, and if that’s the case: Bravo, you’ve succeeded. I bet your target audience will eat this up (box office numbers seem to indicate so).

Feuchtgebiete (2013) – 3.5 (IMDb 5.2) – Drama (Germany)
One of the worst films of the festival. Trying to be oh-so-offensive. This film is about a girl experiencing life through her bodily fluids. The book it’s based on was written by a women, this film however was written and directed by two men, which makes no fucking sense whatsoever. I’m not sure if it’s a comedy or a drama, but I don’t know the film knows either, so that’s cool. They’re trying so hard to be art house and break taboos and shit, but they end up forgetting that what matters at the end of the day is trying to make a good movie. So if I say I hate this film, it’s not because of the reasons the directors would think, but because it’s shallow and boring and arrogant and pretentious (but not in a good way).

Our Sunhi (2013) – 6.5 (IMDb 6) – Drama, Romance, Comedy (South Korea)
Fairly boring and repetitive, but with a satisfying ending. This is a very romantic, but slow-moving Korean film. It’s about three men all interested in the same woman, but for different reasons and with varying degrees of a successful relationship with her. Basically this film shows you the different dates these guys go on and then they also know each other so it’s all these complicated relationships and love triangles and rectangles and hexagons and stuff. I liked it, but it’s a chore to sit through at times, because of the purposely static camera and well, just not much happening.

Dignity (2012) – 6 (IMDb N/A) – Fantasy, Horror, Sci-Fi (USA)

The Strange Color Of The Tears Of Your Body (2013) – 7 (IMDb 7.3) – Giallo (Belgium)

‘BEST OF RETROSPECTIVES’
Grizzly Man (2005)
– 8.5 (IMDb 7.8) – Documentary, Biography (USA)
I was glad I caught at least one of Werner Herzog’s feature-length documentaries at the festival. It was incredible to hear Herzog give a master class about documentaries and his approach towards them. He’s very much against cinema verite and had some funny anecdotes in that sense. But speaking of Grizzly Man this is a terrifying and grandiose documentary about a man living and loving bears and then getting killed by one of them (that’s no spoiler, we’re told fairly early on). It’s heartbreaking because it’s so real and because Herzog manages once more to get at the heart of human nature. He captures this man’s madness, but also his passion for a cause he felt was important. I’m not going to lie between this one and On Death Row I cried more than once, but it was also so great and powerful that I just couldn’t help but fall in love with Werner Herzog. I was already a big fan of Stroszek, but now I’m going to track down and watch every film of his I can find.

The Stone (2013) – 6 (IMDb N/A) – Crime, Drama (South Korea)
This was a fairly boring film. It’s a debut feature. The director is clearly a Kim Ki-duk fan, and in the best moments of the film, the film is reminiscent of his style, but he has a lot to learn. The film is about a complicated Chinese board game called Go, which of course also becomes a metaphor for life and all that stuff. It’s fairly violent towards the end, but other than that not much happens. I don’t feel that this film achieved what it was going for and so it ends up being a bit forgettable.

‘BEST OFFICIAL SELECT’
L’Experience Blocher (2013)
– 8 (IMDb N/A) – Documentary (Switzerland)
An incredible documentary on one of the most controversial political figures in Switzerland: Christophe Blocher, extreme right-wing populist. While I admire him as a self-made business man, I don’t necessarily agree with his political agenda and his methods, which often include scaring people in order to get votes. The filmmaker, clearly on the opposite side of the political spectrum, does a fine job of not making it a judgmental film. It’s not so much about Blocher’s ideas, but his persona. His life, his humanity. We see his wife, the places where he grew up, where he lives now, his daily life. It’s a fascinating portrayal of a lonely man. It reminded me almost of Citizen Kane towards the end, and I’m sure that was the Bron’s intent. Great documentary, but I doubt many outside of Switzerland are going to seek this one out I’m afraid, because of its protagonist that is only “famous” here “unfortunately”.

Mary Queen Of Scots (2013) – 6.5 (IMDb 5.7) – Biography, Drama, Romance (Switzerland)
A rather triste and rehearsed costume drama. I felt they were trying to go Marie Antoinette, but of course they can only dream. The story would be interesting, but the execution is kind of boring (except for the cinematography and the score). The actors are really good, but the script is the real problem. There’s not much to keep the viewer engaged. A lot happens, but it’s as if nothing happens. Again, I’m not sure what exactly went wrong with this film, because it’s good on a technical level, but just ends up being underwhelming.

‘BEST OF THE FEST’
Harry Dean Stanton: Partly Fiction (2012)
– 8.5 (IMDb 7.7) – Documentary (Switzerland)

About Time (2013) – 5.5 (IMDb 6.4) – Comedy, Drama, Sci-Fi (UK)
A problematic screenplay. The story is an incoherent mess. Still you can’t help but let the sweeping romanticism get the best of you. It starts as a comedy and ends as a drama, a very sappy one, but still. It’s about a guy who can time travel (but only to the past) and uses it to get the girl of his dreams. Surprisingly, the time travel aspect is used poorly and not commented on (directly). It’s a sweet film, but at the same time it feels forced and cliché.

Real (2013) – 6.5 (IMDb 5.9) – Drama, Sci-Fi (Japan)
If you like big twists prepare for this one, or don’t, because I could see it coming and I’m usually the worst at identifying plot twists. Real is the story of a young man entering the mind of his girlfriend (through some weird futuristic technology) to save her from the coma she’s in. She seems to be hiding a dark past and our hero must find a way to get her back, but it’s not easy. There’s all sort of crazy stuff happening here, unfortunately the film spins its wheels for too long and so by the time you get to the end most viewers might have “checked out”. Some leaner editing would have helped, but once it gets going it’s actually not even that bad and Odagiri Jô is in it, so that was a nice surprise.

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