Marcello Rubini (Marcello Mastroianni) is a paparazzo journalist drifting through Rome, trying to catch the latest scoop and make a living with a job that doesn’t entirely satisfy him. As an aspiring, but rather uninspired writer, he finds himself thorn between what he would love to do, but can’t and what pays the rent. While his job can be exciting and thrilling, he gets to meet celebrities and visit all kinds of places, he just seems to be bored with all the shallow mundanity and the emptiness of the words he writes. On the surface he has no reason to feel this way: He has a steady job that pays well, his girlfriend seems to genuinely care for him, he has many friends and knows all the right people. However something is missing in his life. Nothing feels real. It’s all a big circus with and when the night is over and the sun rises over the Roman hills he is alone, misunderstood and lost. Continue reading
If you love cinema at all chances are Federico Fellini’s 8½ is one of your favorite films, it sure is one of my personal favorites. Today Criterion posted a collection of international posters, brochures and program covers. Some of these are pretty wacky and out there and don’t represent the film’s essence quite well, although they might be aesthetically good-looking; doesn’t that remind you of the Mondo posters? Anyways, the French press book cover (the red one, to be clear) is gorgeous, I also really like the Japanese brochure (it’s the one with the purple writing). What are some of your favorites?
Mine is pretty much a no-brainer, since Federico Fellini my favorite director.
This is a shot from his masterpiece, his 1963 film 8½. To me this is one of the most beautifully composed visuals of all time. It’s just so incredibly haunting and when viewed in the context of the movie it gives me an eerie sense of loss and bewilderment. I almost feel suspended in mid-air myself, like in a dream.