Beau Pere (1981) – 7.5 (IMDb 7.1) – Drama, Romance (France)
I was looking for films similar to Stanley Kubrick’s Lolita (1962), one of my all time favorite films, and I bumped into Bertrand Blier’s Beau Pere (literally: Stepfather). I must say that I was rather impressed with this film, even if it is basically just a French, color version of Nabokov’s Lolita. I loved the actors, Patrick Dewaere and Ariel Besse, and their “chemistry” and I loved the fact that in this film it’s the girl that initiates the “relationship”. This may all sound wrong, but for a film dealing with what could essentially be labeled as “pedophila” it is very tastefully executed, while still managing to be erotic. I don’t know how they pulled it off. The film’s attitude is what I appreciated most, because it’s different from most French films and even films dealing with “taboo” subject matter. The filmmaker clearly loves the characters and doesn’t judge them. It’s just an all-round great film I’m sure I’ll re-visit at some point.
‘PICK OF THE WEEK’
Il Casanova di Federico Fellini (1976) – 8 (IMDb 6.8) – Drama, Biography (Italy) written & directed by Federico Fellini
Burden of Dreams (1982) – 7.5 (IMDb 7.8) – Documentary (USA)
Burden of Dreams is the “making-of” documentary of Werner Herzog’s Fitzcarraldo. The film shows all the hardships and difficulties that went into the production and making of Herzog’s crazy epic about a man trying to move a ship over the Peruvian Andes. It’s a great story about a massive achievement in filmmaking and it certainly makes you appreciate the film a whole lot more. Herzog is interviewed and other crew members as well, there are some great, fascinating stories and the film is never boring. Unfortunately unlike the newer Werner Herzog documentaries this one is narrated by a robotic sounding woman, instead of the filmmakers warm German voice. It seems like a weird choice, but as Herzog explained himself during a master class I attended “It took me a while to find my own voice”. He said this in relation to his documentaries, but I think we can all agree that now that he has found it they are more spectacular than ever. Burden of Dreams is still a great film and is especially recommended to Herzog fans, filmmakers and true cinephiles.
These were the best films I watched last week, Fellini’s Casanova being my favorite, but the other two getting both extremely close. What good movies did you guys watch last week?
A new category! This time I’m not ripping off Rotten Tomatoes’ Five Favorite Films, but rather Criterion’s Three Reasons YouTube videos. From now on, whenever I’m too lazy to write a structured review I’ll just list five good reasons to check out the film. This way you won’t have to read through 1,000 words, but can easily scroll down five pictures with a minimal summary of what I loved most about the film. The first film to get this sort of treatment will be (you’ve guessed it): Fellini’s Casanova. Continue reading