2013 is coming to an end. We’ve had some great movies. Some have not yet been released for wide audiences or in foreign territories. That always happens. So before I get into my most anticipated films of 2014, I’d like to mention the 2013 films that I’ll only get to see next year at this point. Some of these will be (or are already) available for my American friends by the end of the year, but not in sad and small Switzerland. Here it goes: Catherine Breillat’s Abuse of Weakness, Spike Jonze’s Her, Kim Ki-duk’s Moebius, Alexandre Payne’s Nebraska, Lukas Moodysson’s We Are the Best, Sono Sion’s Why Don’t You Play in Hell? and Martin Scorsese’s The Wolf of Wall Street. As you can tell from this list I base my anticipations for a film mostly on the director. Now then, let’s see what 2014 has in store for us. Continue reading
Looks like Gregg Araki‘s French produced Thriller White Bird in a Blizzard, starring Shailene Woodley and Eva Green, is being pushed back for a 2014 release and a premiere at the Sundance Film Festival 2014. Based on the French novel Un Oiseau blanc dans le blizzard (literal translation: “A White Bird in the Blizzard”) the film just got a first exciting trailer. After Gregg Araki’s crazy 2010 film Kaboom it looks like he’s back to some more “normal” material, whatever that means for him. The film is about a 17-year-old girl (Shailene Woodley) whose mom (Eva Green) disappears (or runs away on her?). Continue reading
As of right now Gregg Araki‘s newest feature White Bird in a Blizzard, based on the French novel Un Oiseau blanc dans le blizzard, is still in post-production. While there is no official release date yet, as a fan of the director I am getting more and more excited about the film. Apparently it’s a thriller set in the 80s about an angsty teenage girl (Shailene Woodley) whose mom (Eva Green) disappears. As Araki seems to suggest in interviews it’s a “serious” film, which is a rare thing for him, except for Mysterious Skin his work always tends to be on the more comedic and lighthearted side of things. It should be interesting to see him try something different.
While there is no trailer yet (expect one with some cool shoegaze tune soon!) there have been two posters circling around the web. Since Araki’s films usually deal with “uncomfortable” themes for mainstream American audiences, like sexual abuse, depression, drugs and sexual confusion, the film was financed with French money. Seeing that it has some big names attached, like Shailene Woodley, Eva Green, Christopher Meloni and Shiloh Fernandez we hope the film is going to be a hit and gets a wide release. I will certainly keep you up to date with any news surrounding the picture, but for now take a look at this video of Gregg and Shailene discussing the movie.
Like every week in honor of a particular release pertaining to a specific type of film I like to bring up (at least) five other that are somehow related. This weekend Pedro Almodóvar’s I’m So Excited is coming out in limited release, so I thought I’d spend a few words on my favorite films portraying homosexual, bisexual or transgender characters.
Happy Together (1997, Wong Kar-wai)
With this film Wong Kar-wai was trying to warn Hong Kong audiences to flee the country while they still could: Once the fifty year period of independence from the mainland run out they might experience less tolerant policies and politics regarding freedom of “sexuality”. Aside from making a political statement Wong was also making a poetic one. Christopher Doyle shoots some of the most gorgeous images of cinema history, especially the ones in black and white. The film is about a destructive relationship between to men moving to Argentina. Highly recommended.
Being John Malkovich (1999, Spike Jonze)
I know I’ve recommended this one already only last week, but I’ll repeat myself because it is also relevant with this weeks topic. Jonze explores human sexuality in this film like no other I’ve seen before. It’s about how sexual identity shouldn’t be viewed as something ‘fixed’ to a body, but rather to the essence of one’s person. The attractions in this film are not exclusively physical, but also “intellectual”. It questions whether traditional labels like “gay”, “hetero” or “bi” even make sense and that’s precisely what I love about it. Sometimes things are more complicated and difficult to explain, but society prefers to trivialize everything to be able to sleep at night.
Mulholland Dr. (2001, David Lynch)
Lynch is one of my favorite directors and this is considered his masterpiece. Although I prefer Inland Empire and Blue Velvet this is a close third and a fantastic film about Hollywood, dreams and lesbians. Who dreams who? That’s the question. I love the bizarre atmosphere and non-linear plot. A great film noir that I can recommend especially for a career best performance by Naomi Watts and of course like I said it’s a David Lynch film so that should be a good enough reason to check it out. Also: Sex!
The Rules of Attraction (2002, Roger Avary)
This film does feature gay characters, but they’re not necessarily the main part of the story, although there is one of the most hilarious scenes I’ve ever seen involving one of them. Still I want to recommend it because of the weird tone and feel of this film and because I don’t hear many people mentioning it or talking about it anymore. The atmosphere I was referring to is once more about feeling lost and alone in this world. It’s kind of depressing now that I think of it, so I’ll recommend it with a grain of salt and if you’re into more melodramatic cinema. The story is about these college kids trying to figure out their lives while partying and having sex and all the usual stuff we do to find themselves.
Kaboom (2010, Gregg Araki)
Gregg Araki’s entire filmography except for maybe his ‘straight movie’ The Doom Generation (1995) could be recommended, but I’d like to go ahead tell you to check out my personal favorite: Kaboom. I’ve already written full-length thoughts on it, but I didn’t focus much on the fact that it’s about a bisexual character. That’s because Araki doesn’t make a big deal out of it, and those are precisely the ‘gay films’ I prefer: The ones that are just about those characters and don’t treat them any different from those that happen to be heterosexual.
If these five are not enough for you I’d like to bring up Darren Aronofsky’s Black Swan (2010) which I’m sure everyone has at least heard of. Swans are gay, so it makes sense that Aronofsky explore’s Nina’s (Natalie Portman) sexuality. Another bonus recommendation is the light comedy But I’m a Cheerleader (1999) getting more into a “religious nuts hating gays” kind of discourse.
That’s if from me, if you have a film that you would like to recommend: Go ahead, I like getting recommendations!
Smith (Thomas Dekker) is an 18-year old university student majoring in film studies that is having both weird and wet dreams, right before his 19th birthday. After a series of hook-ups and seemingly random sexual encounters, shit is really starting to get crazy: Men in animal masks appear, a creepy girl with superpowers and a voodoo doll and of course all kinds of kinky sex. After a couple of days of confusion and meaningless sex, Smith however starts to realize what’s going on, but is he in time to save the world from its impending doom and an evil cult leader determined blow it up? Continue reading