Yes, ladies and gentlemen they’ve already announced the movies playing at Sundance 2014. Since the festival prides itself over the fact that it almost exclusively picks movies from new-comer directors or lesser known filmmakers sometimes the only guidelines we have when picking a Sundance indie is the cast. Being an Aubrey Plaza fan and seeing that the movie also stars the likes of John C. Reilly and Anna Kendrick (which never hurts) I’m going to put this one on the list of movies to watch out for next year. Looking at these first stills for the film I have to say I’m getting strong Warm Bodies vibes, which is not a bad thing, but let’s just hope that the film is original and not a trying to be that movie (which I really liked by the way). Continue reading
I haven’t done this in a while, but I have watched quite a few movies lately, so I’ll reprise it this week and try to keep it up. It’s not like many people care anyway, but to the few good souls that actually read my stuff: Je suis désolé. After a month of basically non-stop horror, I wanted a week where I could basically just watch whatever, based on my mood and my snobbish sensibilities. And so I did. I was mostly successful in my intent, but of course you can’t avoid a couple meh flicks, nothing bad though, so that’s cool.
‘PICK OF THE WEEK’
Frances Ha (2012) – 8 (IMDb 7.6) – Comedy, Drama, Criterion (USA)
Slacker (1991) – 7 (IMDb 6.9) – Comedy, Drama, Criterion (USA)
Richard Linklater’s Slacker is a film about a bunch of slackers, all seemingly living in the same area (boy business gotta be bad down there). It is only appropriate that the film has the same attention span and focus of a pot addict, since most of the films protagonists seem to be smoking some sort of substance. There is no real story or recognizable plot, the film sort of follows these slacker characters for a couple of scenes, then moves on the the next slackers, the “new” ones that made their appearance in the previous scene. Unfortunately, sometimes just when things were about to get interesting, the film changes subject and characters. Most of the slacker-dynamics are very similar: There’s the very talkative, almost annoying slacker, the quiet slacker, the stoned out of his mind slacker and so on. It’s just the actors that change. All in all, as with every Linklater film dialogue is king. While there are some interesting thoughts and discussions in Slacker the film is far from his strongest effort.
The To Do List (2013) – 6.5 (IMDb 5.8) – Comedy (USA)
I was ready to dismiss The To Do List as a bad teen comedy with no spine and guts, but I had to change my mind watching the film. Of course Aubrey Plaza was the deciding factor in me even giving it a shot, but I must say that I was more impressed with Johnny Simmons in this film. Set in the 1990s the movie is about a nerdy high-school girl graduating with top grades, but lacking sexual experiences. Being a very organized and serious girl, she decides to do a check list of all the sexual activities she needs to learn before going to college (and sleeping with her crush). What sets this film apart from standard genre fare is the ending (which I won’t spoil). Oddly enough, even though it’s supposed to be an homage to the 90s, the film feels more 80s than anything else in its structure, humor and characters. One issue I take with the film is Plaza’s character, which is not as likable and relatable and ends up feeling artificial and annoying. Not all the jokes work, but overall the film is entertaining enough especially if you like this type of films.
Casino (1995) – 6.5 (IMDb 8.2) – Biography, Crime, Drama (USA)
Directed by Martin Scorsese Casino is the story of two guys trying to make it big in Las Vegas in the casino business. Of course being a Scorsese picture, you know it’s going to be about the mob, the seedy underbelly of the Sin City, the Italian tough guys with strong accents and goofy voices. I’m not going to lie it’s a great film, but I was overwhelmingly annoyed by Joe Pesci’s voice-over. I detest his whiny voice. His lines were supposed to be funny, but made me cringe instead. Every time he was talking I checked out mentally and actively tried not listening to him. Aside from that I’d say the film’s strength lies in the great performances and the overall solid acting (including Pesci). De Niro is great, Sharon Stone is almost unrecognizable (which is automatically a good thing, right?). It’s an intriguing story, even if sometimes it just seems like a list of events and names. One last complaint is that the film is a bit too long. Some leaner editing, less running down facts and voice-overs would have made the whole thing more enjoyable. Still a great film on every other technical level.
Bitter Moon (1992) – 7.5 (IMDb 6.9) – Drama, Romance, Thriller (France)
As a big fan of Roman Polanski when I heard that he had done a Lolita-type story, I was immediately curious to check it out and I must say that I wasn’t disappointed. Bitter Moon is about a couple (Hugh Grant & Kristin Scott Thomas) traveling to India by ship. On their journey they meed a strange disabled man on a wheelchair and a drop dead gorgeous femme fatale (Emmanuelle Seigner), who is his wife. Of course Grant’s character wants to have an affair with the mysterious voluptuous woman, but the man in the wheelchair know this. So instead of forbidding him to touch his wife, he starts to tell him the story of how they met and how she basically ruined his life. The whole film is basically just Peter Coyote telling the story, but the story is so intriguing, sexy and twisted that it works. Like with every Polanski film you have to ask yourself if it’s not all just a bad dream. I was very impressed with this film, great casting and actors, an engrossing story, well-rounded, three-dimensional characters and a very romantic, yet dark atmosphere. Highly recommended.
If you thought this week’s mini-reviews were particularly inspired, you can thank the ridiculously adorable brunette that was irradiating the library with her beauty today. Or maybe it’s just the pretty pictures I added to this section. Yeah, it’s probably just the pictures.
Did you know Michael Cera was a director too? I didn’t. Here is his creepy/awkward four minute short film Failure, directed and starring Michael Cera himself and a drop dead gorgeous Aubrey Plaza as a stalker invading his home.
I really liked it. The Woody Allen-esque music, composed by Cera; Tobias Datum’s (Smashed, Kiss of the Damned) dark, but warm cinematography and a completely strange atmosphere, conveyed by two solid performances. Reminded me of a Kim Ki-duk film in it’s themes and of Alex Pardee’s genius video where he “invades” Shia LaBeouf’s house. Cera even says a similar line “Why are you in my house?” echoing Shia asking San Francisco illustrator “What are you doing in my house?”.
Looks like this is the year where the home invasion sub-genre really came back between The Purge being a Fsmash hit at the box office and You’re Next coming out at the end of August.